A Kind of Hush - The Magic of Karen Carpenter: Anita’s Theatre Thirroul, April 26. The enduring magic of The Carpenters’ music is the combination of Karen Carpenter’s beautiful voice, which had an unusual range of three octaves, and the songs that her brother Richard wrote for her. Unusually, a female singer who decides to sing a Carpenters song must set the key by the lowest note, not the highest. A Kind of Hush - The Magic of Karen Carpenter was billed as a concert rather than a tribute, and clearly that was necessary because none of the headliners could match the range or quality of Karen Carpenter's voice. The show was put together by Katie Noonan, and she was joined on stage by Melinda Schneider, Abby Dobson, newcomer Layla Havana and an ‘all-female’ backing band, which had turned half-male, by this the second last of a 16-show tour. Katie Noonan displayed by far the best trained and controlled voice, but the least suited to the Carpenters’ songs, excelling as she does with precision and control in her highest register and bringing with it her own musical style. Melinda Schneider’s songs by contrast were delivered unceremoniously, completely straight and unadorned but she is such an accomplished performer that I was most relaxed when she was centre stage. Abby Dobson was having a bad night; at least, I choose to believe that because surely she would not have been included in the line-up had she sang that badly all the time. She did mention that she was exhausted and hungry but as an audience member that’s not what I want to hear, implying that the effort she had invested in earlier audiences was impacting on her current performance. At the start the number of notes she missed was jarring to the ear but she did warm up towards the end, singing an unexpectedly sweet version of “The Rainbow Connection.” Ironically, 15-year-old Layla Havana was the only one of the four singers, who hit the mark without fail, with her beautifully clear warm voice. She can only get better as her voice and her confidence matures. The banter between the three headliners was full of in-jokes and shared knowledge, which actively excluded the audience while we assume that their intention was to do the opposite, to include us in their private world. It did not help to be told that half the promised ‘all-girl’ band was absent because they got a better offer. At the end, Noonan gave a speech about how important it is to support independent musicians but in context it sounded more like an apology that everything was a bit amateurish. The audience was generous; however, and eagerly participated in the curated singalong opportunities (“On top of the World” and “They Long To Be (Close to You)”), which was well suited to the community hall vibe of Anita’s Theatre.It was an enjoyable evening but in the end the pips that got stuck in my teeth ended up detracting from the sweetness of the fruit. 

Frank Sultana, a Kiama local and award-winning jazz and blues artist, is coming through with another event for music lovers. BluesBash 2, featuring artists like ‘Chase the sun’ and ‘hat fitz & cara.’ Of course, Frank and his band will be playing at Kiama bowling club on June 15 and 16. Frank has achieved a quick and prosperous career in the blues genre. Drawing inspiration from iconic figures like Skip James and Robert Johnson, he chose Kiama as his home six years ago, finding the perfect backdrop to fuel his creativity and compose music. It was in this town that he recorded his 10th album, 'Have Band, Will Travel,' right in the heart of Kiama at his home studio.In January 2023, Frank won the solo/duo category at the International Blues Challenge in Memphis, Tennessee. Since his 2011 debut album 'Blues from the Lost Motel,' Frank has authored a remarkable discography, accumulating four EPs and nine albums.Additionally, Frank is anticipating new projects, including the upcoming release of his album "Realist" in June. But it doesn't end there, leaving no musical stone unturned, he has developed a musical centred around songs of protest, alongside his partner, Madison. The show encapsulates songs of protest and the music that brought change to the world, while also foreshadowing the strides we have to go through to bring about positive change. Frank shared that performing in a luxurious theatre was a stark contrast to his usual venues.Ultimately, Frank's goal transcends entertainment. He aims to touch people's hearts and minds through the power of his music. His songs ooze with authenticity and passion. Frank's performances are not just about music; they are experiences that evoke emotions, provoke thoughts, and inspire change. To listen to Frank Sultana and keep up with his gigs, chuck a follow at: linktr.ee/franksultanamusic. Tickets to BluesBash can be found at: www.trybooking.com/events.

Who would have thought that an iconic band could be right within our grasp? Unlocking The Doors, hailing from Wollongong, is just a skip and a step away! Recently, this author had the opportunity to witness their performance at the Airlie Beach Hotel, even sharing a ride on the airport shuttle bus with the band, fostering instant South Coast camaraderie!The band, comprising of Richie, Mick, Sandy, and Lee, has crafted a distinctive group paying homage to Jim Morrison’s legendary band of yesteryear. Richie, adorned in his signature leather pants and belt, sporting Jim's moves, could easily be mistaken for a mature version of the iconic frontman. His stage presence and moves authentically channel the spirit of the late, great Jim Morrison.Having performed together for the past six years, Unlocking The Doors is widely regarded as one of the most genuine Australian tribute acts, capturing the energy, mayhem, and psychedelia of the late 60s, bringing Jim’s music and poetry vividly to life. Unlocking The Doors roadie, Paul, a local from Kiama, plays an essential role in ensuring their magic reaches the stage. He is a regular in Kiama with his mother still residing in the area."We aim to showcase the brilliance of The Doors and the captivating stage presence of Jim Morrison," says Rich, also known as 'Jim,' a lifelong admirer of The Doors who delivers a heartfelt performance, embodying the enigmatic allure once possessed by the band's iconic frontman. At a turning point in his life, Rich decided to pursue his music passion and has not looked back!One distinctive trait of The Doors was their performance without a bass player, a role adeptly filled by Sandy on organ and keyboard. She masterfully reproduces the authentic live sound of Unlocking the Doors, dedicating herself to emulating Ray Manzarek's dual keyboard wizardry, seamlessly blending hypnotic bass fills with stabbing syncopation and signature melodies.Drawing on his background in classical guitar and rock, Mick skilfully manoeuvres his Gibson SG standard, employing finger-picking techniques to replicate Robbie Krieger's beautiful legato tone. From the ethereal tremolo of 'Riders on the Storm' to the raw intensity of '5 to 1,' Mick pays homage to Krieger's distinctive sound, defying categorisation.Completing the lineup on drums is Lee, who channels John Densmore's unique fusion of jazz, rock, and Latin beats, an integral component of The Doors' iconic sound. Lee faithfully recreates Densmore's original style, providing the essential backbeat crucial for honouring the band's impressive catalogue of classics.More than 50 years since their debut album, The Doors remain a cultural phenomenon, continuing to captivate audiences with their timeless music and provocative lyrics. Unlocking The Doors transports us back to an era when 'The Lizard King' reigned supreme, introducing a new generation to the mesmerising allure of The Doors and helping new listeners break on through to the other side.So next step - we need to open some doors to get the group down to perform in Kiama so we can all enjoy a trip down memory lane! 

In the heart of Kiama's Community Radio scene, a new voice has emerged, bringing with it a wealth of diverse experiences and a passion for the airwaves. Peter Sullivan, a recent addition to our area and Kiama Community Radio, boasts a journey that spans from the microscope to the bonsai garden, with stops at biochemistry, genetics, naturopathy, and even dispute resolution along the way.Born in Manly, Sydney, Peter's upbringing was steeped in the hospitality industry, thanks to his father's role as a hotelier. It was his formative years in Wagga Wagga, surrounded by two siblings, that laid the foundation for his eclectic interests and curious mind.Venturing to Canberra for university studies in microbiology and genetics, Peter found himself immersed in a world of microscopic exploration and meticulous experiments. "Patience," he emphasises, "was key in unravelling the mysteries of microbes and bacteria." It was here that he honed the invaluable skill of meticulous attention to detail, a trait that would serve him well in his future endeavours.Peter's introduction to the world of radio was a journey into the melodies of pop and easy listening, where the dulcet tones of Casey Kasem held sway. With admiration for the American DJ's global broadcasts, Peter reminisces, "We would sit on the beach in Wagga, tuning in to the top 40 on our transistors. I guess the younger generations would have no idea what that meant."His university days were filled with the vibrant sounds of live performances, where the likes of Ralph McTell's "Streets of London," Maria Muldaur's soulful "Midnight at the Oasis," Don McLean's timeless "American Pie," and Janis Ian's poignant "At Seventeen" resonated deeply. Amongst the rich tapestry of Australian music, names like Richard Marks, Sherbet, and an abundance of Aussie rock from the '60s and '70s added to the soundtrack of his youth.Reflecting on his personal style during those rebellious times, Peter recalls with a chuckle, "Yes, I sported shoulder-length locks, though mine tended to curl at the ends, perhaps less cool than intended. Clad in a lumberjack coat, torn jeans, tie-dye shirts, I exuded an air of rugged discontent." During an era marked by protest and societal upheaval, Peter didn't shy away from voicing his dissent, participating in demonstrations against the sacking of the Whitlam government, a stance that brought lectures to a standstill. "I believe it's a rite of passage to embrace a bit of rebellion during your formative years," he muses, "ultimately paving the way to becoming a responsible citizen."During his tenure at the Australian National University, Peter delved into the intricate dynamics of marine biology, focusing on the yellowfin and skipjack tuna and their genetic interactions within the ocean’s currents encircling Australia and New Zealand. Amidst the bustling activity of tuna trawlers along the coast, he meticulously sampled, froze, and analysed specimens, discovering that despite their cohabitation within the same current, these tuna populations remained distinct species, segregated by the nuances of their migratory patterns. This discovery echoed in his subsequent research on rabbits in Urana, where he explored population genetics and the biological intricacies of interbreeding. In his work on the Wallaroos of the Atherton Tablelands he concluded that they also did not interbreed. A major highway effectively prevented interbreeding between the highway and mountain populations, with different skull size, teeth and eye socket measurements showing the differences. It all sounds a little CSI!Peter met Barbara during his university days and that marked the beginning of a lifelong journey together. They have been blessed with three daughters and seven grandchildren, bringing endless joy and laughter into their lives.Peter’s professional trajectory took him through various avenues, from his tenure at ANU to roles in defence science and technology, where he navigated the intricacies of human resources and IT as a business analyst. It was during this time that he honed his skills in dispute resolution, delving into mediation and conflict resolution.Transitioning into a second career in naturopathy ignited a passion for holistic healing, fuelled by an avid interest in iridology and herbal medicine. Under the tutelage of esteemed naturopath Dorothy Hall, he immersed himself in courses, embracing a plethora of "ologies," from astrology to Bach flowers. Though his endeavour to establish a health centre was met with love and enthusiasm, the harsh realities of entrepreneurship led him to reassess, realising his preference was for hands-on involvement rather than administrative duties.Peter’s next focus was on Lifeline, where he volunteered in warehouse operations, and later at Lifeline’s second-hand bookshop, Book Lovers Lane where he managed the music.Retirement three years ago gave Peter time for his bonsai collection, also volunteering at the National Bonsai and Penjing collection at the National Arboretum. Post-retirement last January, Kiama drew him in; he liked the proximity to Sydney. He knew Kiama had a community radio, and there was a Bonsai group in the area!  “The draw to Kiama was real but I had been established in Canberra for over fifty years. Life here is so relaxed, and it is a different climate – much cooler in Canberra and very cold winters. I was beginning to feel the cold in my bones.”In Canberra, Peter worked for Radio Artsound for five years and Queanbeyan FM for four. He got involved with Artsound because they invited seniors (over 55) into broadcasting. He trained with Gabriela, who also does the training at KCR. His own blues program followed.BLUES IN THE NIGHTJoin Peter on Tuesday nights for a soulful journey of “Blues in the Night! “Get your dose of Australian and international blues, R&B, soul, funk, and a sprinkle of jazz, all in one place! From established legends to emerging talents, Peter's got you covered, with a special focus on artists from 2000 to now. But that's not all! Peter will also be taking a trip back in time, diving into the history of blues with some classic tunes from the 1900s. Don't miss out! Tune in every Tuesday from 7-9 pm on Kiama Community Radio, where every Tuesday is Bluesday!

On Thursday 11 April, the electric Liam Cooper brought his show, King of the Keys, to the Shoalhaven Performing Arts Centre. The interactive show gave the audience the chance to vote for who they thought was the King of the Keys. Read on to hear who won!Liam’s infectious energy had the audience singing and dancing to old favourites. Billy Joel, Stevie Wonder, Elton John, Freddy Mercury, Ray Charles and many more. With over 40 songs in the set, the band was as tight as Liam’s jeans. My personal favourite was Liam’s rendition of Isn’t She Lovely, which he dedicated to his little fur baby, Millie. His powerful and nuanced vocals helped with flawless transitions through clean belts and controlled falsettos. The versatility enabled him to tackle notoriously challenging tracks like Take On Me and Crocodile Rock, daring even to jump the octave on the last note of ‘Bohemian Rhapsody,’ as if it isn't challenging enough already!In the spirit of Freddie Mercury’s (alleged) famous quote "Do what you want with my music, just don't make it boring", Liam embraced creativity together with his guitarist, Noah, who stood upon the piano as if it were a stage during his stunning Bohemian Rhapsody guitar solo. The Beyonce effect was in full swing, as Liam brought out a leaf blower to get Noah’s long locks spectacularly blowing in the wind.The band was phenomenal with an especially strong horn section. The trumpetist, Angus, deserves a special shout-out, as he had some show stopping solos. Liam himself showed off his multi talented musical skills on harmonica, kazoo, keytar and of course piano.Liam, obviously a well seasoned performer, reacted calmly and humorously to the pyrotechnics not turning off and seamlessly let the backstage crew know to unplug the fire hazard. Not only did Liam put on a fabulous show, but he did it all in heels. So, who won the grand title of King of The Keys? Drumroll please … Elton John! Liam closed the show with Don't Let the Sun Go Down on Me and I'm Still Standing as a tribute to the ‘Rocket Man’. The standing ovation from the crowd was well deserved. 

It was standing room only at Kiama Anglican Church for the latest successful instalment of the Classical Kiama Concert series, performed by Goldner String Quartet on 7 April 2024. With approximately 120 people in attendance, this sell-out show marked one of the final performances for the distinguished Goldner String Quartet. The musicians announced their disbandment late last year after collaborating since 1995. Each having performed with prestigious companies such as Australian Chamber Orchestra and Sydney Symphony Orchestra, the quartet is comprised of Dene Olding and Dimity Hall on violin, violist Irina Morozova and cellist Julian Smiles. Hall and Smiles are a married couple, as are Olding and Morozova.PerformersPerforming a “potpourri of quartet excerpts”, as described by band member Dene Olding, the quartet moved seamlessly through works of varying energies from classical composers such as Mozart, Beethoven, Tchaikovsky and Schumann, alongside up-and-coming young Australian composer, Harry Sdraulig. Perfectly timed notes from all musicians filled the intimate space with a richness that clearly captivated all in attendance. A heartfelt round of applause upon conclusion inspired an inevitable encore, with the quartet performing a piece by Czech composer, Dvořák, which shone a spotlight particularly on Smiles’ brilliance on the cello.Roslyn, Nick & Anne“The Goldner Quartet were superb. We are really lucky to have had them in Kiama. It was a beautiful program, and the encore was just magical,” says regular attendee of Classical Kiama concerts, Karen Lateo.The energy in the Church that evening was undeniably uplifting. This was felt too by the quartet, who – despite their looming disbandment – would warmly welcome a return to our region in some capacity.“We really enjoyed performing for Classical Kiama. We were thrilled with the capacity audience, which was very welcoming, responsive and appreciative,” says Hall.Natalia & Diana“The location is spectacular, and the Anglican Church is a perfect venue for chamber music. The acoustic is lovely and the ambience warm and intimate. We would gladly return in some form or other and we wish Classical Kiama all the best for their continuing series of concerts.”Remaining Classical Kiama events for 2024 include Daniel Röhn (violin) and Olena Nikulina (piano) on 16 June, Jesse Flowers (guitar) on 18 August, and Simon Tedeschi (piano) and George Washingmachine (jazz violin and vocals) on 6 October. An end of year concert will follow in December, with details to be announced shortly. For further details and bookings, visit the Classical Kiama Facebook page.

The King is coming to town, The King of the Keys that is. Liam Cooper, Australia’s piano man, is bringing his musical spectacular King of the Keys to Shoalhaven Entertainment Centre this April, Thursday the 11th at 7:30pm. Liam Cooper comes along with a personal motive, raising awareness for entertainers’ mental health. In this dazzling show, you can expect to hear sonnets from the greatest pianists of our time, including favourites by Billy Joel, Elton John, Peter Allen, Stevie Wonder, Queen, Ray Charles and many more. “Growing up learning the piano, I’ve always been inspired by the artists in this show – the songwriting, the stories, the sound – it just gets me so excited and it’s a joy to bring that to the stage with some incredibly talented musicians behind me,” Mr Cooper said. The King Of The Keys premiered in 2018, but like many artists, Liam felt the pressure and mental load that comes with the job. In 2023, Liam had planned a 25 show tour around Australia. Unlike many touring artists, Liam had a background in marketing and took the burden of planning, marketing, budgeting and all the work that goes on behind the scenes completely upon himself. “I was fully immersed in preparing for this tour, but I was completely overwhelmed trying to do it on such an intense scale,” Mr Cooper said. “The financial pressures associated with putting on so many shows and the risk of not breaking even, it all became too much. My wife and I had our first baby on the way, and I was still adjusting to performing again after the pandemic.”The show was pulled ten weeks out from opening night. Despite his personal dismay, Liam believes it was the correct decision to put his mental health first. “There was a lot of shame about it. I was so passionate about this tour and so many people were on the project, my band, the venues, those who had bought tickets. To turn around and admit that I couldn’t physically do this, it was really hard to do.” In light of his experiences, Liam is donating a portion of ticket sales to Support Act, an Australian charity that provides crisis relief, mental health and wellbeing support to musicians, managers, crew and music workers across all genres of music. “Support Act helps people in my industry with mental health,” Liam says. “If that service can help others in my position with the stress and anxiety of producing and promoting live entertainment, or musicians and theatre technicians like mine who lost work because of cancellations, I want to support that.”The King of The Keys won’t run like your regular show. After celebrating 15 artists, sharing 40 songs and the inspiring stories behind them, the audience gets their say on which artist is crowned King of the Keys and the final song is dedicated to the audience choice. Liam's dream is to take the tour to Vegas. He invites everyone to attend the show so they can say “we saw it first” before it hits the Entertainment Capital one day. Find more info at tickets at https://kingofthekeys.com/, for more information about Support Act go to https://supportact.org.au/

From April 10th to 15th each year, World Music Therapy Week spotlights the profound impact of music on healing and wellness. But what exactly is music therapy? Simply put, it's the use of music-based activities to achieve non-musical health goals.Dr. Kath Lawson, Kiama’s dedicated music therapist, explains, "Registered Music Therapists are university-trained allied health professionals who work with people of all ages and stages of life. Each session is tailored to the individual or group, and it’s usually heaps of fun."Music therapy is more than just entertainment. "There’s a lot of processing and development going on through the music-making," Dr. Kath emphasises. "Anyone can participate in music therapy, regardless of musical ability. It’s not necessarily about performance, though that can happen if it’s someone’s particular interest."Dr. Kath's experiences highlight the breadth of music therapy's impact. "I’ve worked with pre-school children, families, young adults, and older people,” she says. “I’ve even been part of a research project focusing on songwriting for people with dementia and their care partners. Over a 10-week program, they managed to write 36 songs together!"Music therapy's beauty lies in its therapeutic essence, addressing needs across various life circumstances. Whether supporting individuals with disabilities, aiding rehabilitation, navigating trauma or mental health challenges, or enhancing quality of life in chronic health conditions or palliative care, music therapy offers a versatile approach to enrichment."It’s incredibly special to work with people in this way. Your brain just works differently on music," Dr. Kath says. Today, music therapy is integrated into numerous hospitals, aged care facilities, and community health hubs. Participants in the NDIS scheme often access music therapy as part of their individual plans.To learn more about music therapy's potential to support you or someone you know, visit the Australian Music Therapy Association’s website, or contact Dr. Kath at 0402 101 312. 

Music enthusiasts from near and far gathered in Kiama the weekend of 8 10 March for the annual Jazz and Blues Festival. The three day long event is known for its vibrant atmosphere and jam packed lineup of artists, attracting visitors from all over. The festival is an annual community run festival that is set across various exciting locations in the Kiama local area, including in Gerringong. Attendees were treated to a diverse range of musical styles from smooth jazz to gritty blues rhythms, as talented musicians took to the stage to showcase their skills. The streets of Kiama were abuzz as street performers hogged the limelight across Terralong Street and various other spots like Surf Beach, Bouquiniste, Fillmores and Burnetts on Barney. Tom Harrington at Burnett's on BarneyThroughout the weekend the festival continued to delight audiences with a packed schedule of performances and an array of delicious foods and beverages from local vendors, adding to the overall experience of the weekend. The relaxed and welcoming atmosphere proved to be a highlight and as the festival finishes up Kiama anticipates its return next year.Street performers outside the Old Fire Station had crowds enthralled

As Berry transforms into a kaleidoscope of colours, love, and inclusion, locals and visitors alike are gearing up for a month-long celebration of Mardi Gras. From the lively streets to the colourful events, Berry is painting the town rainbow to commemorate love, diversity, and inclusion.The celebrations also include the ‘Free 2 Choose’ Competition, offering a chance for one lucky couple to win a romantic escape to this charming village. The prize includes a one-night stay in a Deluxe Room at The Berry View and two free experiences, each valued at $300, from a specially curated love-and-luxury-themed itinerary. This is an opportunity to connect with your partner and celebrate the freedom to choose who you love. To enter this competition, participants can find more details and submit their entry here.As the month unfolds, the celebration reaches its peak with the Mardi Gras Recovery Disco Ball on Saturday, 23rd March 2024. Hosted at The Southern Hotel, this event promises a night filled with great music, colourful disco fun, and an abundance of sparkle. The dance floor will come alive with the beats of Berry's very own Electric Ginger, so, if you thought the Mardi Gras season was winding down, think again! Dust off your dancing shoes and join the community for a night of celebration and joy.As Berry paints the town rainbow in celebration of Mardi Gras there's a sense of unity in the air. The Free 2 Choose Competition and the Mardi Gras Recovery Disco Ball are just a glimpse of the excitement that Berry has to offer this month. So, don't miss out on the chance to win a romantic retreat and dance the night away at the disco ball – Berry is calling, and it's a celebration you won't want to miss!

Adélaïde Ferrière held Kiama under her musical spell on Saturday 24 February 2024. The events organiser, Daniel Rohen, welcomed Kiama locals, playfully thanking them for choosing the ‘right’ decision - to be there insead of the rugby! The night consisted of a musical composition of classics, such as Bach, Handel and Debussy and new styles including Blue Smoke, a composition by Michael Burrit remastered for marimba, the first time ever being played in Kiama. Adélaïde, known for her exceptional talent on the marimba, carefully crafted each piece to be compatible with the instrument, adding a new experience for the audience. For compositions I was more familiar with, such as Rhapsody In Blue from Gershwin, it almost felt like a whole new song. The meditative, soft and mellow sounds of the marimba are almost a direct dichotomy from the bright timbre of a piano. Still, Adélaïde played them with conviction, effortlessly navigating the massive instrument with four mallets.A highlight of the evening was the debut of a new arrangement of "Blue Smoke" by Michael Burritt. Those in attendance had the privilege of being among the first in the world and the first in Kiama to savour this rendition. Daniel Rohen expressed pride in the overwhelming community support, evident in the filled church, and eagerly announced the upcoming classical concert on 7 April, featuring the 30th and final tour of Goldner String Quartet. We were very thankful to be able to chat to Adélaïde after her performance. She was ecstatic to be doing her first performances in Australia - and more excited for her holiday here after the tour. She explained to me that the technique of using two mallets in each hand took her ten years to master. Her dedication to her craft is evident in her precision and musicality. Check out these amazing images from the show and keep an eye on our whats on page to stay up to date on upcoming Classical Kiama Concerts.

Gerringong Music Club presents Estampa Gerringong Town Hall Sunday 10 March 2024 – Estampa promise to enchant audiences with a unique musical experience rooted in the traditions of French jazz and Brazilian bossa novas. Event details:What: EstampaWhen: Sunday 10 March 2024 11am-12.30pm. Doors open at 10.30am.Where: Gerringong Town Hall, 106 Fern St, Gerringong NSW How: Book your tickets online or at the door. Gerringong Music Club, in association with Musica Viva Australia, is pleased to present Estampa to the Gerringong Town Hall at 11am on Sunday 10 March 2024.Evoking visions of Parisian laneways, South American sensuality and the unbridled joy of jazz, Estampa is a group of diverse musicians delivering energetic, internationally-inspired performances. Rooted in the traditions of French jazz and Brazilian Bossa Novas, Estampa provides a unique musical experience that will leave you feeling like you’ve entered a 1930’s Parisian jazz club or the streets of São Paulo. "We are thrilled to bring Estampa to Gerringong for the first time," said Imogen Stewart, the newly appointed Musical Director of the Gerringong Music Club. "Gerringong Music Club has been bringing quality music to the community for 20 years and we’re confident Estampa’s performance will strike a chord with our audience. This upcoming concert holds special significance as it marks the Club’s 20th anniversary since our first performance.” Speaking about the anniversary, Imogen Stewart said, “Many special people in our community have played pivotal roles in establishing the Club and on March 10 we’ll be honouring a select few. Community support is vital to the Club’s success and we’re grateful to see a new wave of locals answering the call to join in leading the Club.” Share the joy of beautiful music and connection with friends and book your tickets online or buy them at the door. Get your tickets at https://www.gerringongmusicclub.com.au  Members, children and students are free. Visitors $30.More information - https://thebuglenewspaper.com.au/whats-on/whats-on/estampa-comes-to-gerringong?id=65dc16c7ea70660029614e2f

Kiama is host to a plethora of talented musicians, and local songwriter Dan Challis is no exception. In conversations with Dan, his genuine passion for music and humble demeanour are immediately apparent. Over the years, Dan established a reputation as a stage performer in clubs and at festivals, a difficult feat in a crowded field. Now he has embarked on a new venture - teaching.Dan's decision to delve into teaching was influenced by a valuable lesson from his father: "If you ever want to learn something, teach it." Taking this wisdom to heart, a few months ago he initiated private guitar lessons for anyone interested. He emphasises, "I'm approaching teaching with the mindset that I'm always learning too. I'm not a 'god of guitar'; I'm just sharing the skills and knowledge I've acquired so far."Growing up in Queensland, Dan developed a deep love for music. His inspirations draw from lyrical depth and emotive language, citing influences such as Bob Dylan and James Taylor. However, during his live performances, he notes the audience's preference for jams from the likes of John Denver, Credence, and a few Aussie Classics.Before making Kiama his home, Dan, like many artists, faced the challenges brought by the COVID-19 pandemic. Reflecting on his time in Melbourne, he recalls the impact of lockdowns on his life. Working as a delivery driver while pursuing his dream, he experienced a sudden upheaval when, on a Friday, he lost his job and had ten upcoming gigs cancelled in a single day. This period was marked by a sense of impending doom, a sentiment shared by many during those uncertain times.Nevertheless, the clouds of COVID eventually lifted, leading Dan to Kiama. After settling in, he transitioned to a full-time career in music, both performing and, more recently, teaching. Encouraging his students to bring their goals to lessons, whether focused on acoustic guitar techniques or seeking guidance on songwriting and composition, Dan shares, "I learn through my own mistakes, which helps me identify and address others' mistakes and bad habits."Dan's combination of patience, talent, experience, and humility makes him an exceptional teacher. For those interested in keeping up with his gigs or reaching out for lessons, Dan can be contacted at 0456 063 747 or via email at [email protected]. To stay updated on his activities, you can find him on Facebook or Instagram by searching for Dan Challis Music. 

Classical Kiama Concerts are star studded this year, we don’t even have to leave our backyard for the world's top performers to come to our coastal town. Coming all the way from Paris, Kiama is one of only three places in Australia being graced with the talents of percussionist, Adélaïde Ferrière. Daniel Rohn, the organiser of Classical Kiama Concerts and renowned violinist, is thrilled to be hosting Ferrière and says this show is not to be missed “We are starting out this season with a big splash to kick off the year.”Adélaïde’s accolades are nothing short of impressive. She earned her master's degree with the highest distinctions at the Conservatoire National Supérieur de Musique et de Danse de Paris in 2017 at the young age of 20. Additionally, she studied at the prestigious London Royal College of Music. Notably, she received the award of Revelation Soliste Instrumental at the 24th Victoires de la Musique Classique, making history as the first percussionist nominated for an award at this prestigious event.Rohn says that Percussionist can be a misleading word and Ferrière is far more than that. We can expect to see her renditions of classic composers such as Vivaldi, Bach, Handel, Debussy and more. One of Ferrière’s stand out talents is her ability to play marimba with two mallets in each hand. Rohn says her precision allows her to play complex pieces, usually reserved for pianists. Recognized by 'Le Monde' as 'a phenomenon,' Ferrière's exceptional talent and remarkable achievements have earned her this well-deserved title, all before her 28th birthday. The performance is scheduled at Kiamas Anglican Church on the 24th of February at 5pm, and tickets can be purchased at ‘trybooking.com/CNZBL’. Tickets range from $55.00 to $65.00 and you can keep up to date with upcoming shows on the Classical Kimama Instagram and Facebook. Daniel Rohn has curated a series of four or five more concerts throughout the year, including a special performance on the 7th of April featuring the Goldner String Quartet, celebrating their 30th and final season together. Make sure to mark your calendar as one thing is certain – this season promises a cultural feast that should not be missed. Daniel Rohn and Rory.

Twelve year old Cha Cha Sullivan is making waves in the world of country music with her dad Kevin Sullivan and her two brothers making up the band The Sulli-vans.Cha Cha has secured a significant win at McDonald’s Golden Gig which was held during the Tamworth Country Music Festival this year. The Golden Gig gives young music artists the opportunity to display their talent and kick start their music journey. Coming in second place, Cha Cha was eager to share her plans with her winnings. She has been saving up to purchase a mandolin which she is very excited to start learning. Cha Cha’s journey to music began in the home and from a very young age. Her family hit the road to perform live music all over Australia. She wrote her first song during Covid at the age of eight, called Flower Fields. She was inspired by the view from her verandah that overlooked fields of flowers. Taking a leaf out of dad’s book, Cha Cha began writing and continues to follow her dreams and perform live music with her family. The young artist wowed audiences and judges with her captivating performance, showcasing not only her impeccable singing skills but also her talent as a songwriter. Cha Cha is passionate and motivated, with so much enthusiasm for her work. She juggles a full schedule with school, live performances and her sport commitments. Cha Cha has just embarked on her high school journey where she loves History and PDHPE the most and is very grateful to have such nice teachers. She also represents the South Coast in Oz Tag. She loves travelling the country with her family and seeing all the sights Australia has to offer and she is extremely grateful to have been given the opportunities she has. As she gears up for her next tour to the Northern Territory, Cha Cha is an inspiration to other young artists who want to follow their dreams.

Kiama's iconic Surf Beach was transformed into a sensational stage on Friday night, treating locals to an unforgettable show. The headline act, internationally acclaimed Melvo Baptiste, took a break from his global tour to grace Kiama with his presence. Supported by a lineup of exceptionally talented local artists including Catfish, Sam Fransisco, Clay Zane, and Groove Society, the night promised a musical journey that lived up to its expectations.Despite a last-minute venue change, the crowd seamlessly followed, finding themselves at the Surf Club, which provided a stunning backdrop for the evening's performances. Each artist showcased their extraordinary talents, flawlessly transitioning between sets without missing a beat.Wollongong-based DJ Catfish kicked off the night, setting the tone with infectious electronic funk. Not content with staying behind the decks, Catfish later joined the dancefloor to support local DJ Sam Fransisco. Sam's lively set had the crowd in motion, even sharing the stage with two enthusiastic young children, who added their own flair to the festivities.Next up was Kiama's own multi-talented Clay Zane, whose impressive set ignited the dancefloor. From his achievements as an author and owner of Bouquinest to his skills as a DJ, Clay effortlessly showcased his musical prowess and deep connection with Kiama's local performers. Clay expressed his excitement about Melvo's participation in the event. Melvo, a West London-born DJ, tastemaker, and label head, became an integral part of the Glitterbox radio show after meeting Defected Records' Founder in 2017. Not only did he become a crowd favourite and the face of the show, but he also released his debut single 'Bad Company' in 2020 and established his own label dedicated to nurturing new talent.Known for his eclectic mix of groove, soul, disco, and classic house, Melvo Baptiste's set electrified Kiama's surf beach. The atmosphere transformed into a lively party, complete with flowing drinks, dazzling lights, and infectious dancing. Clay and his team orchestrated a fabulous event, featuring dancers, smoke machines, and dance lights that elevated Kiama's entertainment scene.Despite the looming threat of rain, the show went on without a hitch. Post-performance, Catfish expressed excitement about Kiama's growing DJ community, hoping for more shows on the horizon. Kiama has undoubtedly solidified its position as the place to be for exceptional musical experiences. Watch this space, as the vibrant Kiama DJ community is poised to deliver more unforgettable shows in the future.

The Red Hot Summer Tour, held on Saturday, January 6, 2024, at the Kiama Showground, truly lived up to its name, attracting thousands of locals and visitors on a stunning summers day.Despite headliner Jimmy Barnes being unable to perform due to ongoing recovery from open-heart surgery, the event showcased an expanded lineup of talent. Jon Stevens, accompanied by his entourage, delivered a stellar set featuring Noiseworks and INXS hits, followed by a performance by The Living End before the grand finale. The stage saw outstanding acts from Birds of Tokyo, a crowd-favourite, Pete Murray, Kasey Chambers, and Sam + Sam.The concert, which has faced challenges in the past, including six washouts in Kiama and COVID disruptions, finally enjoyed favourable weather. In March 2020 the event was postponed four times, to October 2020, then March 2022, then to 3 April 2022 and finally ran on 16 October 2022 successfully.Fans remained loyal during this whole process of delay, many remembering the tremendous success of the 18 March 2017 sold-out Red Hot Summer Tour concert at the Showground with John Farnham, James Reyne, Daryl Braithwaite and Shannon Noll.Damien Hatfield and Annabelle Chapman from Palm Beach with Sammy and Alex Coombes (Gerringong). Damien thought Pete Murray set was great and thought it was "unreal" that he would see Ian Moss playing later. The tour returned in 2018 and 2019 before the long hiatus with Covid from 2020 to 2022 finally back last year in October at the Kiama Pavilion. With the intense heat, some attendees left early, even though there was a no-return policy. However, Kiama’s seaside location provided a refreshing sea breeze for those who sought relief. With attendees advised to bring camp chairs, the festival maintained a feel-good, relaxed atmosphere, complete with a lively mosh pit in front of the stage.Sam and Jesse who opted to leave the show early due to the heat posing with Keisha and Dominic from Evolution traffic controlParamedics reported running out of sunscreen, emphasising the need for festival-goers to “be prepared with essentials like sunscreen, water, hats and even tampons”. Red Hot Summer hats became a popular choice among the crowd, proving a boon for the merchandise stall.Event organiser Duane McDonald, expressed his relief at the fantastic weather. After the series of washouts at Kiama it was a great bonus. Sally Kearney, managing the merchandise stall, praised Duane for running a fantastic operation, highlighting the close-knit team's years of collaboration. “We’re a family organisation with team members becoming family as well.”Sally Kearney with Event organiser Duane McDonald and Sallyanne Robertson - a family run festivalThe Red Hot Summer Tour caused the inevitable traffic grid in Kiama main streets. Listening to pre show advice, many visitors opted for train travel, with trains arriving packed to capacity prior to the event, and festival-goers walking down to the Showground from the Kiama Railway Station.The Evolution Traffic Control team however reported smooth patron entry, though they acknowledged there is always traffic chaos post-event when party-goers leave the stadium.Festival goers from Sydney - Darren and Sam with Ningbo Zhang at one of the myriad of food stalls - looking forward to The Living EndFestival-goers shared their standout moments, with mentions of Kasey Chambers' Eminem cover and Pete Murray's exceptional performance. Birds of Tokyo energised the crowd and the whole event rocked. The final act, hosted by Jimmy’s daughter Mahalia Barnes showcased iconic Barnes and Chisel songs sung by Australian artists Jon Stevens (though kiwi born), Chris Cheney, Ian Moss and previous performers, closing the day on a high note. Jimmy Barnes expressed gratitude for the support of his fellow musicians and the unique show they presented.Ryan and Marilyn from Woonoona enjoying the coastal breeze. They loved the Kasey Chapman cover of Eminem's 'Lose Yourself'Despite the challenges of putting on such a huge event, the Red Hot Summer Tour in Kiama proved to be a resounding success, delighting both the event organisers and the enthusiastic crowd in attendance.Craig Mason and Vicki Poulton from Shellharbour were enjoying the concert and got swept away dancing with Birds of TokyoThe Bugle has a festival pack to give away to a lucky winner. Share your most iconic festival photo on our Bugle facebook page for a chance to win.  The Bugle Knows

   Tens of thousands of hard core festival fans turned Kiama Showground into Festival City with the sold out Changing Tides Music Festival on the weekend of 16 and 17 December 2023 bringing a lineup of great acts worthy of any music festival in the world and big numbers of visitors rocking up to enjoying the baking heat of one of the year’s hottest days in true festival tradition of extreme weather. The rules to get in were strict with one local observing someone getting turned away at the gate by security to get their passport. Others commented on the strong police presence including sniffer drug dogs.  Simon Felice is the organiser of the inaugural Changing Tides festival and has a lot of experience in the organization of festivals. His family owned Crooked River Winery for 25 years until two years ago and Simon describes the line up as his dream ticket straight from his own Spotify playlist!The Temper Trap - Changing TidesSimon first started six years ago with his brother Joseph running a whole series of festivals, some based at the Crooked Winery in Gerringong. The vibe of the 18 or older only boutique music and food festival combined the old school feel of classic big festivals like Big Day Out which finished in 2014, with more chill intimate festivals that bring a 2023 vibe to the stage. ‘Changing Tides’ kicked off on Saturday 16 December, with local Wollongong indie- rock band ‘Finding Darcy’, who played a great set, and then the welcome to the country, until the first big headliner G flip came on, whose set was amazing! Soldout ChangingTides festival Kiama ShowgroundG flip (they/them) was so engaged with the crowd and fans, as they were the only act to approach the sea of fans to get in close for their fans to take pictures and say hello. G flip, previously known for their profound drumming, blossomed their talent further and became a singer and musician via social media, streaming daily drumming content on instagram and Tik Tok until they gained over 100,000 fans! By constantly streaming their work, and then changing their profile to be more accommodating to talent scouts, then came the record producers to bring their music to their now massive following, G flip got taken more seriously, and now we have amazing artists on their music journey like G flip arriving in the Kiama LGA in 2023! G Flip up close and personalThe headliners on the big stage in the middle of the Kiama Showground were Wollongong band Dune Rats, Drummer G flip, then Peking Duk. Peking Duk are a crowd mood setting duo of DJs called Adam Hyde and Reuben Styles who started in Canberra and are known for how much fun they have on stage with their high energy dance mixes. They are often described as cheeky and ‘party ready’. Their music can include fun remixes of Aussie classics like ‘I Want You’ by Darren Hayes of Savage Garden fame. After the Duks, came the Jungle Giants, an indie rock band from Brisbane with what they like to call their genre-agnostic sound. The members are Sam Hales, Cesira Aitken, Andrew Dooris, and Kelsan Bijker. Their fans describe them as ‘indie rock royalty’ and they get a lot of airplay on radio stations like Triple J. The Jungle Giants, played the longest set, with their worldwide hit “Feel the Way I do” bringing in crowds from as far as Townsville, with one festival goer saying she traveled from Townsville to see her two favourite artists G Flip, and the Jungle Giants. This hard-core Jungle Giants fan told The Bugle she took two flights, and spent $1,000 “I had a great time and it was worth every cent.” The sets for performers were about 45 minutes apart, giving festival goers time to approach the local vendors, and check out the chill out zones, or VIP areas inside the Kiama Pavilion. Inside were food and drinks stalls, local vendors selling merchandise and even a paint your own surfboard kiosk which was very popular.On the Saturday night the party continued into the warm night with an energy filled dance party with some great vibes from some great female dance music acts like SYCCO, Kita Alexander, and also Dulcie and The Moving Stills. With other headliners coming in and dropping in unexpectedly throughout the night, some outstanding performances were on show the whole night. On Sunday the party continued with acts like PNAU, Royal Blood (from the UK) The Temper Trap and Ziggy Alberts. Sydney’s PNAU shares a band member with Empire of the Sun, and specialise in ‘grab your friends and weep with joy’ dance anthems to uplift the spirit and make some awesome memories for when you are older and the knees don’t work so well! Shade was in hot demand!Other acts on the Sunday in the heat included Leisure, Merci, Mercy,Jacotene, Jack Botts and Felip Baldomir. Leisure are regarded in New Zealand as an electronic supergroup due to each members individual success with previous musical projects. Like all dance festivals they can have a darker side, and measures were taken to make sure all partygoers had a safe as well as a fun time. Hydration stations were set up everywhere for example.Alcohol was strictly on site only for sale, with no wine!!!! and only party style premixers. A mobile breath testing festival unit was set up, who told The Bugle they had covered 6 local festivals this year, including Yours and Owls in Wollongong. Festival goers were encouraged to use the station prior to exiting.For a reading of 0.018, the mobile RBT unit staff gave the advice they would be safe to drive however to keep in mind that number would continue to rise even hours after you finished drinking. The Sniff off campaign which focuses on the use of police drug sniffer dogs at festivals published pics of the dogs at the Kiama Changing Tides festival on their social media. Security tight!Outside the grounds of the Pavilion, you could see many locals enjoying the music, with some locals finding themselves with a view of the performers on the screen from the top of Surf Beach from the southern headland, essentially getting themselves a great night with free music and a view. However, not all the locals were happy with some garden damage at the nearby Kiama Uniting Church attributed to illegal parking with cars driving over the garden to avoid the chain fence stopping people parking. Overall the music and the atmosphere at Changing Tides was an energised and fan fun success, with a great mix of big time festival styles of old and the chill intimate boutique festival by the sea, and Kiama is already excited for the next one. Harlow Events, who organised the Changing Tide event, said on their site they have been developing a boutique music festival style on the South Coast. They said they wanted to create the most boutique music and food festival on the South Coast with the Changing Tides festival in Kiama. The event was clearly a great success, and it looks like the plan to make Kiama a sought-after destination for many more festivals for the future was also a success.The Bugle spoke to a number of Sydney festival goers many who are self confessed festival junkies: " It was a good experience overall. It was my first time seeing all these artists and it was nice to see all Australian artists on the stage." (Camille)"Great small town intimate vibe" (Steph)"Very wholesome festival, some great Australian artists" (Summar)"Truly a lovely festival! The music and the crowd had such a great vibe. Definitely celebrated Australia’s music artists". (Tiana)"Great festival! Loved the location and the small venue so all the facilities were close by. Great food and drink options. Would love it if it's a bit bigger next time though!" (Emily) Overall a superb weekend without any major incidents. Well done to all involved.With the sucess of the many events held here one ask to ask the question - is the future of Kiama to be a Festival Town??   

Renowned concert violinist Daniel Röhn recently concluded the year with two engaging performances at the Anglican Church on the headland. Daniel, a virtuoso in his own right, captivated the audience by seamlessly playing both the violin and the piano, presenting a thoughtfully curated selection of musical works that showcased his exceptional talent.Kiama is privileged to host a musician of Daniel’s international stature, making his local residency a truly fortunate circumstance. With a career spanning the globe, Daniel is not only widely recognised but also held in high esteem in the world of classical music. Beyond his musical prowess, he entertained the audience with his storytelling, offering insights into the background of each piece and why he chose to perform it.Among the standout moments for this reporter was Daniel's emotive rendition of the Tango (Por una Cabeza) by Gardel-Hadelich, a modern classic immortalised in the Al Pacino movie "Scent of a Woman." Daniel skilfully transported the audience to the scene of the dance, demonstrating his ability to evoke powerful emotions through his music. He shared his affinity for "speaking in movies," shedding light on the often-overlooked presence of classical music in cinematic experiences.Expressing his admiration for the legendary composer Johann Sebastian Bach, Daniel took the audience on a reflective journey playing the Adagio, Fuga Allegro, Siciliana, and Presto of Sonata no. 1 in G Minor BWV 1001. He described the fugue piece as "themed and mathematically perfect," showcasing his flawless execution and timing—all performed entirely from memory – not a sheet of musical score in sight.Adding a touch of fun for the audience was the lively 'Louisiana Blues Strut,' by Perkinson, a toe-tapping interlude that resonated with many.Personally, the experience was not only a feast for the soul through beautiful music but also a discovery of a movie recommendation: "The Red Violin." Daniel played five 'caprices' from the film, each narrating a distinct story, further enriching the concert experience.Looking ahead, Daniel Röhn revealed exciting plans for the upcoming year, announcing six Classical Kiama concerts starting on February 24, the first to feature percussionist Adélaïde Ferrière. Announcements, details and dates for future concerts can be tracked on the "Classical Kiama" Facebook page, and The Bugle will continue to reliably list on our "What’s On."